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[01] VOLUME11 / BRAND, WEB & CREATIVE SYSTEMS01 / VOLUME11

A website became
a creative system.
A website
became a
creative system.

I designed Volume11 in Webflow. Then I turned its visual language into a system for new websites, robot characters and campaigns.

MY ROLE

Design & creative direction

STARTING POINT

Original Webflow website

SCOPE

Brand · Web · AI-assisted workflows

The original Volume11 cast: three hand-drawn black-and-white robots, including the CRT-headed character with a smiling screen face and the round robot wearing the 11 mark
THE ORIGINAL CAST / Three familiar characters. A starting point for everything that followed.VOLUME11 / The original robot cast.

01 / THE FOUNDATION

The design
came first.

I developed the original concepts and built the first Volume11 website in Webflow. Big typographic statements, purposeful colour and slightly eccentric robots gave the brand its voice.

The next challenge was continuity. As the product family grew, I needed new pages to feel like Volume11 without explaining the same decisions from scratch.

VOLUME11 / ORIGINAL WEBFLOW WEBSITE
Archived Volume11 homepage built in Webflow, with large typographic statements and an illustrated robot character
Archived homepage. The typography, colour and illustrated character were established here.THE STARTING POINT / Original Webflow site.
Content11 website showing shared type, colour and familiar robot characters
CONTENT11 / Shared type, colour and familiar characters.CONTENT11 / Shared rules, individual voice.
Convo11 website showing a different service using the same visual family
CONVO11 / A different service. The same family.CONVO11 / The same visual family.

02 / MAKING IT REUSABLE

A strong foundation.
Built to extend.

I extracted the established design into a connected system: colour, type, spacing, components, imagery and responsive behaviour. The aim was to make future work consistent without rediscovering every decision.

The style guide shows the system in use. DESIGN.md explains the rules and intent. Paper brings the visual families together. Each reference has a distinct job; together they provide a strong foundation.

ONE FAMILY. THREE DISTINCT IDENTITIES.

Colour has a job.

Volume11 has its own yellow-led identity. Convo11 uses orange; Content11 uses pink. Shared black-and-white foundations, typography and character drawing keep them related.

VOLUME11

#F2C740

The parent brand / homepage

CONVO11

#FA7E45

Conversations / product identity

CONTENT11

#FC467D

Content / product identity

Within the wider palette, lime signals ViboGit and violet supports comparison and editorial moments. Each hue has defined shades for consistent use.

TYPE / THE VOICE OF THE WEBSITE

Two typefaces.
A clear hierarchy.

Overpass Mono gives the large statements their distinctive rhythm. Overpass makes longer explanations easy to read. The scale changes across screen sizes, with specific exceptions recorded where the design needs them.

OVERPASS MONO / DISPLAY

Turn it
up to 11.

OVERPASS / BODY

A recognisable voice, with room for the message to breathe.

Volume11 website H1 scale: 42 / 48 / 52 / 89.6px across screen sizes. This display is composed for the case study.

STYLE GUIDE / SEE & TEST

Colour, type, spacing, components and interaction states. The executable guide uses real website components so the examples demonstrate behaviour as well as appearance.

DESIGN.md / APPLY & EXTEND

Written rules, design intent, responsive constraints and source ownership. It explains what stays consistent, what can vary and which reference takes precedence.

Paper keeps the visual families visible alongside these references. New work returns to the same foundation, with human judgement at every step.

THE WORKING CONTRACT

DESIGN.md
Paper libraries
Executable style guide
ROBOTS.md + asset registry

Rules, component behaviour, character references and provenance. Kept together for the next brief.

Volume11 hero library showing common page structure across different product stories
VOLUME11 HERO LIBRARY / Common structure, different product stories.SHARED HERO STRUCTURE / Different product stories.
Volume11 component library with buttons shown in their interaction states
A SHARED LANGUAGE / Components include their interaction states, not just their resting appearance.

03 / CHARACTERS WITH A JOB

From exploration
to a cast.

Hours of Midjourney exploration established the ink treatment, proportions and personalities. I kept a library of useful robots, then selected recognisable base characters to return to.

With a chosen reference, prompting becomes more specific: preserve the construction, change the pose or give the character a new task. Convo11’s “Life gets busy” scenes show that process in action.

Ink drawing of a robot with a CRT television for a head
[01] / EXPLORATION[01]
Ink drawing of a round one-eyed robot with a single antenna
[02] / EXPLORATION[02]
Ink drawing of a robot holding a lightbulb
[03] / EXPLORATION[03]
Ink drawing of a black robot waving
[04] / EXPLORATION[04]
Ink drawing of a square-headed robot balancing on a unicycle
[05] / EXPLORATION[05]
Original Midjourney drawing of a black-and-white robot
[06] / EXPLORATION[06]

EXPLORATION ARCHIVE / Selected robot references, including an original Midjourney drawing from the robots working page.

Base robot character with a CRT head, antennae, keyboard chest and the 11 mark
THE BASE / CRT CHARACTER

THE BASE / KEYBOARD CRT ROBOT

Keep the identity.
Give it a new job.

The chosen reference fixes the CRT head, antennae, keyboard chest and 11 mark. The prompt changes the action, props and pose while preserving that construction.

Example direction: put the robot halfway up a stepladder with a paint roller and an unanswered phone. Keep fine black ink, opaque white interiors and a transparent exterior.

Convo11 social post: Your lead is up a ladder. The CRT robot paints a ceiling while its phone rings, with the line Life gets busy. Keep the conversation going.
01 / THE DECORATOR
Convo11 social post: They’ve finally got the baby asleep. The CRT robot reaches to silence a ringing phone beside a sleeping baby, on an orange panel.
02 / THE PARENT
Convo11 social post: Their dog has other plans. The CRT robot is pulled along by a dog chasing a squirrel, with Convo11 branding and an Explore Convo11 call to action.
03 / THE DOG WALKER

CONVO11 / LIFE GETS BUSY — The same character, carried into three finished social posts.

SMALL EDITS. NEW ROLES.

Prompted edit of the CRT robot reversing its pose while keeping the keyboard construction readable
A precise editReverse the pose while keeping the keyboard construction readable.
The CRT robot as a researcher with books, notes and a magnifying glass
A new feature sceneThe familiar CRT character becomes a researcher, with books, notes and a magnifying glass.

From the robots working page: references, targeted edits and reusable feature scenes are kept together for the next brief.

04 / ART DIRECTION

One system.
Many expressions.

Volume11’s yellow-led identity, Content11’s pink and Convo11’s orange carry through to social. Shared type, illustration and structure keep the family recognisable across different messages.

Within each brand, I vary image scale, typography and the balance of light and dark. The system supports different campaign styles; art direction makes each composition work.

Volume11 social campaign in brand yellow, led by a large image
VOLUME11 / Yellow, image-led
Content11 social campaign in pink, led by a robot character holding a scroll
CONTENT11 / Pink, character-led
Convo11 social campaign with an orange illustration strip and a robot calendar
CONVO11 / Orange illustration strip
Content11 dark editorial sampler showing one idea rendered in many image styles
CONTENT11 / Dark editorial image sampler
Convo11 black typographic composition led by type rather than imagery
CONVO11 / Black, type-led composition

The system provides continuity, not a single template. The same brand can lead with a character, a photograph, a short illustration strip or a strong typographic statement.

ONE CAMPAIGN, THROUGH THE EDITS

Once a direction is chosen, the detail matters. Here, scale and hierarchy change through successive art-direction passes.

First campaign composition: the CRT robot with a magnifying glass following lead cards on an orange panel
FIRST COMPOSITION
Revised campaign composition with a larger headline and smaller image
REVISION / Larger headline. Smaller image.
Final campaign artwork with the robot and lead cards moving beyond the orange panel

THE FINAL HUMAN PASS

Let the idea
break the frame.

The robot and lead cards move beyond the orange panel. More confidence, more movement — using the same core artwork.The robot and lead cards move beyond the orange panel. More confidence and movement, using the same artwork.

ONE IDEA.
TWO CONVERSATIONS.

LinkedIn speaks to the business handling missed enquiries. Facebook speaks to the person waiting for a reply. The artwork stays recognisable; the caption meets its audience.

Artwork, approved captions and their source stay together.

05 / BEYOND THE SCREEN

A brand you
can take with you.

I designed the badges in Figma, bringing the robots, circular lettering, colour and the 11 mark into a family of small identities. They became physical laptop stickers.

Volume11 brings the team together. Content11 and Convo11 give individual characters their own space. Silicon Peel sends the team out in a Viking boat. Shared construction holds the family together.

Family of circular robot badges with the 11 mark, designed in Figma and made into laptop stickers
FROM FIGMA TO LAPTOP STICKERS / A family of marks built around the same characters.FROM FIGMA TO LAPTOP STICKERS

06 / KEEPING WHAT WORKS

The process became
part of the system.

Recurring campaign decisions became a reusable social skill. A subject normally leads to five creative treatments, each with its own illustration and separate LinkedIn and Facebook copy.

The editable layouts, assets, captions and provenance stay together. I still choose what to say, what to show and what is good enough. The system helps me carry those choices into the next piece of work.

01 / START WITH THE IDEA

A subject, a clear message and the right character reference.

02 / EXPLORE & DIRECT

Five treatments to respond to, refine and choose between.

03 / KEEP THE DECISIONS

Editable layouts, final assets, captions and provenance.

WHAT CHANGED

A recognisable world.
More ways to use it.

The original website became a reference for a growing product family, a cast of characters and a repeatable campaign process. The design decisions remain mine; they are simply easier to carry forward.

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Let’s make it
work beautifully.

Websites, identities and the systems that hold them together.